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Dempsey Paints Nature

"Daylily Days"
by Dempsey Essick
One of the most frequently
asked questions of Dempsey Essick, or any other artist, is, “How do you find
the subjects for your paintings?” The
answer is that there is no answer.
Inspiration comes from likely and unlikely places. The artist is always alert for that certain
view, or arrangement of objects, that clicks in his imagination. And when it does he usually cannot rest
until he has committed the scene to a final painting.
For “Daylily Days” it all started when
Ruby Potts, from the small town of Advance in
next-door Davie
County, attended a
seniors meeting at Elbaville UMC in Advance, NC
where Dempsey was speaking on his favorite subject, bluebirds. Ruby showed
Dempsey a photograph of her lily field.
Something about the sheer profusion of blooms and the variety of
colors inspired Dempsey. He asked Ruby
to let him know when the field was in full bloom.
Rest of the story
2006
~ Edition: 999
Image
size: 12 ¾ x 21 ~ Overall size: 16 ¾ x 24
$120
unframed
Hidden
Hummingbird
Companion pieces are
"Ruby's Daylily" and "Lilies for a Day"
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"Carolina Calling"
by Dempsey Essick
It's
Dempsey's Tribute to His Home
State
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Dempsey Essick is not just a bird
lover; he is a bird fanatic. In addition
to his beautiful depictions of birds in many of his paintings he is a past
president of the N.C. Bluebird Society and speaks publicly about the plight
of the Eastern Bluebird. He started a bird watching club in his own
community and has come to be known as the Hummingbird Artist Outside his studio window he keeps a
table full of tasty treats (everything from crushed egg shells to softened
raisins to cornbread) for the birds so that, when he is working on a painting
he can be constantly entertained by every type of songbird native to the
Piedmont Region of North Carolina.
Just recently, he was visited by an itinerant peacock who had
undoubtedly heard about the free smorgasbord at the feeding station in the
Essick back yard. The peacock hung
around for a few days then departed for parts unknown.
Rest of the story
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2008 ~ Edition 999
Image Size: 12 ½ x 16 ~
Overall Size: 15 ½ x 19
$120 unframed
Three hidden hummingbirds in the
painting
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KING OF THE FIELD
By
Dempsey Essick
Standing like a sentinel atop a
weathered fence post, an Eastern Bluebird poses against a cloud-bedecked sky
and surveys its domain. Notoriously shy, the bluebird seldom ventures into
neighborhoods where bird feeders offer up grains and seeds. It prefers
living in easy reach of open spaces and quiet groves.
Dempsey Essick, a Past-President of
the North Carolina Bluebird Society, has been a constant force, along with
other bird fanciers,
to educate the public on the plight of the challenged Eastern
Bluebird.
“King of the Field” faithfully depicts
a typical scene of a bluebird perched on a very realistically painted
barbed wire fence post with a cloud-bedecked sky in the background. The
clouds in this painting represent a breakthrough for Dempsey, or, indeed,
any artist working in transparent watercolors. In watercolors anything
white, from clouds to snow to daisy petals, is portrayed simply by leaving
the white of the paper unpainted. The problem with clouds is that they
aren’t flat white but billow and twist and are rounded by shadows. This
presents a real problem for the painter, one that Dempsey has been working
on for years. Now he has developed the technique for painting clouds
realistically and never again will he have to keep his view aimed down,
away from the sky.
“King of the Field” was reproduced as giclee, using a new printing process which is more
versatile and renders a print very close to the original painting.
The hidden hummingbird in this
painting is one of the more difficult to find.
Rest
of the story
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2006
Edition 500 - Giclee
Image Size: 10 ½ x 16 ~
Overall Size: 19 x 25
$95 unframed
Hidden Hummingbird
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“Carolina Blue”
by Dempsey Essick
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Blue is the color of fidelity. Blue
ribbons are always the top award. Our good and reliable friends are always described
as “True Blue.” We live out our lives under the infinite dome of the blue
heavens. Perhaps our affinity for the color blue explains the special place
the Eastern Bluebird occupies in the minds of bird lovers.
A few years ago, when the Eastern
Bluebird was listed an endangered, thousands of people put up bluebird
houses on the edges of fields all over the country. People, who had never
lifted a finger toward conserving anything, joined the ardent,
conservationists in a determined effort to save the beautiful blue
songbird. And save it they did. No longer endangered,
bluebirds
have their choice each year of more new houses and live worm feeding
stations. And when a new family of bluebirds hatch
out in the house that you put up, who can blame you if you brag a bit.
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See the framed
miniature
Edition 999 6 ½ x 5 ¾
Framed, matted, w/easel, gift boxed
$306
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“Vineyard Rendezvous”
by Dempsey Essick
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2005 ~ Edition 999
Image Size: 20 ¾ x 9
Overall
Size: 24 ¼ x 12
$120 unframed
Hidden Hummingbird
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Questions?
Call Patti or
Shelley at
336-731-3499
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“Vineyard Rendezvous”
by Dempsey Essick
In his painting entitled “Vineyard Rendezvous,”
Dempsey Essick has filled the frame with ripening muscadine
grapes hanging from the parent branch. Contrasted against the distinctive muscadine
leaves, a pair of goldfinches, sporting their new summer
plumage of bright yellow and black, seem to be scouting for a nice
location to build a nest. They couldn’t have found a friendlier
neighborhood than the Essick back yard. Dempsey, past president of the NC
Bluebird Society, doesn’t just love bluebirds, he loves all birds. His back
yard is an avian oasis where he feeds mealworms to the bluebirds, sunflower
seed to the cardinals and wrens, Algerian thistle seed to the goldfinches,
and bread crumbs with cracked sunflower seed to the robins and all comers.
Rest of the story
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"Hangin’
Out in the Holly"
by Dempsey Essick
Cardinals are the most
devoted of songbirds. They mate for life. The male and female pair are always within sight of each other. While one is feeding
the other always stands watch for predators. They both build the nest. While
the female is hatching the eggs the male brings her food and guards the nest.
Both bring food to the hatchlings. Cardinals do not migrate which is why you
can see them, as Dempsey Essick has portrayed them, perched on a snowy holly
branch in winter with their feathers fluffed up for warmth
Rest of the story
Edition 200 - Giclee
Image Size: 10 ¾ x 15 1/2
$95 unframed- SOLD OUT
Available in framed deluxe
mini for $40
Hidden Hummingbird
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